played by ricardo villalobos, luciano, tobi neumann... guillaume & the coutu dumonts, a very special artist, who is not only an electronic producer, brings us this time a record with two exelent house tracks. on the a side is >here we go ...again< with a lot of percussions, reproduces a very warm summer vibe, fiting perfectly with the special moments. on the b side is >bada bing<, a funky house track wich lives from the vocals and the bassline. guillaume prooves once again that his ep is a secret weapon for this summer

the upper austrian youngster has been addicted to electronic music since his early youth. after experimenting with different kinds of music he was fascinated from techno and house music and decided to buy his own dj equipment. through his outstanding talent in mixing records it didn t take him much time to be booked to local clubs and festivals. due to his unmistakable style of djing he attracted the crowd and found his own place in the austrian house- and techno scene. after his successful start as dj he started being interested in producing. at the moment he is expanding his international career and producer skills with the music association >elmart - electronic music art<. in october 2008, his stunning remix of chris eckers >when they say hello< was released on the german label >resourced music<. a month later, mike absolom released his first vinyl single >from absolom to heaven< on >elmart<. in 2009, he did several remix projects for mike turrentos >tele commander< on >elmart<, stefano vozzas title 2 on the irish label >dublin xpress records< and rob glennon on >nice &nd nasty records< with other remixers like orlando voorn, paul mac and many more

here comes the freakshows 14th chapter - yeah, yeah, yeah! what you will get with buying this record is an extraordinary kind of culture clash in electronic music. we have the young guns m.in, patrick kunkel and basti grub in the red corner and the blue corner comes up with no other than the legendary dj sneak accompanied by mr. harold >lenny kravitz saxophone god< todd. some might say that the combination of names who contributed their skills and creativity to the production process of this release alone should make any electronic music freak become desperately interested in this record - but - if that aint reason enough to at least give it a try, you will find 3 timeless state of the art house tracks on intl. freakshows 14th vinyl release, from which each one has its unique, carefully crafted structure and arrangement. all of them manage to develop a superb uplifting energy, ideal for the upcoming hot summer nights and the daytime partys, too! additionally, as an if-14 - digital only released track - you will get an absolutely stunning and exclusive dj sneak instrumental mix, which we think must be described as an epic, typical sneak-like, massive groovin housemusic bomb, a must!

the peers of the new electronic movement have teamed up for the hottest berlin/london connection on the dancefloor, erol alkan & boys noize present their first tracks on august 31st 2009, the forthcoming twelve inch and digital release >waves / death suite< >waves< is a top of the night balearic/disco storm, >death suite< is a more abstract, cut n paste techno/acid rollercoaster. both tracks were initially envisaged purely as battle weapons for erol and boys noizes’ respective dj sets, but the response has been such that a full release became inevitable

nice price deal !!! in solotempos latest effort there s more than just a faint echo of the irresistible grooves of warm, soulful detroit house. it s highly danceable stuff that won t hit you in the face, but will bathe you in sensual analogue sounds. every single tone on this record is of analogue origin, all mixed in real time to what essentially is an electronic live album.

this release is played and got huge support by artists such as extrawelt, perc, xpansul, metalogic, tony rohr, dietrich schoenemann, xavier morel and many more. nachtstrom schallplatten is back with their 12th release and this time we are proud to present the newly formed project of niels paschen (known from his previous releases with his project noosphere) which is co-produced by one of the pioneers of electronic music and our special friend: marcus maichel (the delta / x-dream / desonanz).this unholy alliance delivers 3 superb techno-stompers which will make your booties shake on any dancefloor around the globe. while prototype is convincing with its driving phat bassline and sheer energy, seven seconds is packed with rolling grooves and psychedelic twists. the third track is taking the best elements of both tracks and combining them into a wild rollercoaster-ride which will turn you upside down

stealing thunder so you move that ass, the duo dubbed thunderheist unleashes serious electrocrunk boom bap. ribcage-rattling bass breaks laced with proper rhyming are flipped with digital booty bass, 80s-inspired electronic pop and slowed down southern bounce, all fresh-dipped in serious swagger. mc and singer isis and producer grahmzilla know how to bring it. and once they ve brought it, it stays brung. >torontos shit-hot electro duo< (nme.com) are already a huge online phenomenon, but this first full taste of their forthcoming album comes courtesy of nasty mix records in canada. catchy, propulsive, ecstatic and uncompromising, it s party music of the highest order, utterly unique but sounding like its been in your head all along.

supported by: anja schneider, julietta, brothers vibe, matthias tanzmann, anthony collins, chris wood, gebr?der teichmann, kabale und liebe, federico molinari, nekes, ray okpara, johnny d., sascha dive, ekkohaus, varoslav... reggie hammond was born in borrego spings in 1982. but already at a very young age he decided to leave the californian deserts and moved to london to focus on electronic music. the rolling techno-tool track for the 3rd diaphan release was created during a jam-session and ? as you can easily hear ? it is followed by some very crazy vocals spoken and sang by the >pleasemachine<, who transform it into a song that drives you directly to the dancefloor. with >ungodly< he presents a slow and very deep dub-track proving his frankness for other styles. the release will be completed by george p s pleasemachine-rmx and shows the track from an absolute different point of view. as a bonus you can also find an instrumental version of >pleasemachine< on the next powerful diaphan ep

2020vision bring you a superb snapshot of the underground amsterdam scene. following his massive remix of the simon baker track æway out of my headÆ, julien chaptal steps up for his debut 2020 single, with fellow amsterdam based producer lauhaus on remix duties. julienÆs album ætokensÆ on key dutch label remote area is one of the best long players to bubble up from the underground this year. although a parisian at heart, julienÆs been living in amsterdam for almost a decade and has become a must-see name on the live techno circuit in holland. the underground amsterdam electronic underground is one of the most respected scenes in europe. spearheaded by labels like 100% pure, intacto and remote area and producers like shinedoe, 2000 and one, kabale und liebe & daniel sanchez, bart skils & anton pieete, polder, lauhaus & boris werner and julien chaptal himself. lauhaus is another in demand producer from amsterdam and his recent remixes of æflowingÆ by the bluesmen and æpay for meÆ by daniel steinberg have been hits on the underground house and techno scenes.

canadian-based strict border (amirali shahrestani and iman habibi) were drawn together by their shared passion and love for electronic music.

excentric off-shoot rekluse has had a great start so far with carl cox, hell, slam, laurent garnier, james lavelle, technasia, stacey pullen andanderson noise all regularly supporting the label. the previous 4 releases have shown the labels sound to be developing rather nicely with a consistent ear for high production quality alongside a drive for exciting and unconventional electronic music for the dancefloor.the 5th release for the label is supplied by loco & jam, 2 guys who have been really making a name for hemselves in 2009, already with a release on >italo business< under their belts and their remix of henry von s propaganda that has made it s way onto carl coxs >space 2009< compilation. with forthcoming releases penned for >hedgehog< and for umeks >sixteenofive< imprint these guys from limavady, northern ireland are definitely ones to watch out for. >medusa< has been fergie & mr henry von s secret weapon since they first got hold of it, never failing to completely destroy any club that has had it pumped through its soundsystem, as well as support from king unique & the japanese popstars who have been behind it since day one. the a sideis backed with 2 seriously strong cuts that show l&js ability in the studio to take things up a notch (whats the matter) or to twist things up somewhat(virus).

the latest offering from truesoul come courtesy of joel mull & cari lekebusch. the a side >passing thru< is a sexy little tech groover, already getting the boys and girl particularly moist on the dancefloors, apealing to both the house and techno posses. the flipside >landing strip< is more fo a chugging groover with gorgeous synth stabs and rising pads. the swedish fraternity are leading the way with awesome electronic music!

latest project by longtime dfa alumni gavin russom, inspired by euro disco, wonky early electronic body music and global psychedelic rock. death tunnel is a hot club cut just waiting to be unleashed, while the flip world eater is a more mid tempo groover with a strong ebm lean.

the third part of this limited edition 12 inch vinyl series sees craggz & parallel forces take time out of their busy album recording schedule to offer up >all my love<, showcasing their versatile production skills, while on the flip man of the moment s.p.y teams up with mosus on >saudade<, a beautiful yet devestating piece of electronic music.

another very nice 4 track 12 inch again by jason letkiewicz aka steve summers aka rhythm based lovers, various new school disco tracks with electronic basslines and unmistakable eighties touch. tip!

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

the game boing is a small bag, perfect for everyday use. through this model we show one of the most renowned game platforms under a new light. but this selection is far from random. game boy has become during the past few years a music machine on its own, defining a new electronic genre, called 8-bit music type: small bag & pouch dimensions: 16.5 x 4 x 10 cm material: printed pvc extra: adjustable belt

supported by: matt star, tim green, angel molina, butane, nico purman, daniele papini, okain, maik loewen, syntec...
for >la gorgona< luca has been working at studio with his old friend telly quin in hamburg. they ve been recording several sessions using different drum machines and analogue gears. their sessions resulted in two creative cuts >la gorgona< and >2 de noviembre<. this ep comes along with spicy remixes from 2 of todays highly acclaimed latin american electronic music artists. argentinian virtuoso franco cinelli delivers a very hypnotic and deep interpretation of >la gorgona< while chilean talented artist alejandro vivanco stays more on the melodic & tech-house side.

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

after the smash that was shatnereffekt one, handsette recordings return, bringing a host of diverse and super talented artists from around the world together on one massive ep and another essential array of electronic music.
kicking off the ep is kritical audios >spandex<, a tune that comes slow on the heels of the swedish duos 2006 braindance monster >krupp<. the swedish duo have come with an itchy slice of razor sharp electrofunk with a burbling acid bassline thats currently being caned by surgeon and rob hall (who says, i ve been playing the kritical audio track a lot. good stuff )... this is a big tune!
next up we have miles tilmanns >spirex< which starts with a wonky off beat that gives way to some wacked-out rubbery bassline action and a lead line that could have come from the keyboard hands of harold faltemeyer or parliaments bernie worrell.
following that is c. mantles >that other eden<. fearsome and delicate, morose and savage, >that other eden< is a serious piece of dancefloor heft with reese basslines burbling under a clattering beat before dropping away into a slightly terrifying double-drop breakdown.
unity gain temples >sahmo< rounds out the ep with a glistening, truly beautiful piece of work. the heavy kicks of the intro are met by a rush of lush chords and deft touches of melody, driving the track into a space that is pure audio luxury and reminiscent of brothomstates, arovane and tippers more contemplative moments.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

taking influence from their 80s childhoods of the bulky futuristic, story tapes are a four piece live electronic band. written, recorded and produced entirely in north london by the band this industrial yet tender sound blurs the distinction between the played and synthesized.

silver coloured vinyl, limited to 300 copies!
posthumans entry into the electronic music world was via the now legendary skam records - duo have established themselves as not only post human but post techno, post minimal and post rave.

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

rhythm of elements consists of internationally renowned pianist makoto kuriya and japanese club scene pioneer/dj uchikawa. together they combine exquisite musicianship with the deepest club beats to create a unique hybrid musical tracks for electronic dancefloors. praia is taken from the forthcoming debut album evolution, (coming out september 09) and features the beautiful scat vocals of yu ka ueda flowing over an electronic jazz groove. add to that the virtuoso keyboard playing of makoto kuriya and live guitar from kazuhiko obata and you have a serious electro-jazz workout! if that isnt enough, the flipside sees karizma take the reigns as he gives the track his trademark stomp mix treatment, roughing up the smoothness and building up to a heavy drop, as only he knows how. the e.p. also contains the delicious album cut airport, an atmospheric and mellow groove sprinkled with beautiful keys and riding between the club and live vibe that signifies the rhythm of elements sound

following in the shadow of the jisco music reedit series comes a new home for original music. under the shade hopes to promote new and old talent groomed from the disco underground. first up is new boy chambochÚ growing up sandwiched between the coast and the valleys of coastal mid wales, nature was sams first love. this taste for the epic, organic passages has been fused with pop sensibilities from an 80s childhood to shape a unique musical outlook. regular dj appearances at nottinghams stealth combined with residencies at some of the most forward thinking electronic nights in the midlands saw him develop his taste for the groove. the hooks of producers such as todd terje, toby tobias, lindstrom and ?me soon began to take hold and turn his hand towards crafting slower, more melodic grooves. after completing a series of tracks, which caught the attention of gerd janson and mark e and then road tested with success at londons seminal plastic people û chambochÚ was signed to under the shade with a string of releases in the pipeline. with additonal strong remixes by production team of the moment the revenge and pete herbert this already got huge support from tim sweeney, gerd janson ( running back ) or the horse meat disco crew

sampler release extract from the forthcoming compilation from because and edbanger, introducing the nouvelle garde from the edbanger sound... all new talents that the famous label itself consider as their legitimate offsprings... over the past two years, other young producers eager to transcend the genres have been working in the shadows, preparing a new electronic revolution. who are they, and what does todays music sound like? thats what the dum-edges project is attempting to uncover, with a compilation and a live tour.

as house continues to take its stronghold over techno, even in berlin the epicentre of all things minimal, we gear up for a summer of ‘actual’ dancing over regimented arm pumping and head nodding. having impressed laurent garnier, m.a.n.dy, solumun, karotte, tg (tim green) and ellen alien last year with his collaboration with enzo elia, martin patiño caught the attention of true to form with his fresh, playful approach to house and techno and hypnotic percussive elements .born in italy, but with south american roots and now living in berlin, you can hear vibrant audio recollections seeping onto every groove. citing dali’s surrealist paintings as another creative reference (a nod to which is contained in the track title ‘the tempation’), you could say martin draws on the atypical compared to your average electronic producer.the result is the blissful simplicity of ‘sundays’ on the a side, percussive, sundrenched and a perfect am terrace lifter.on the flip side is peak time tech house groover ‘the temptation’ and a hypnotic, dub heavy remix of black dahlia (the original of which will appear on the digital only release) produced with long term cohort enzo elia. true to form, now in its 5th year, showcases tracks and remixes from such respected producers as pan pot, gavin herlihy, jesse rose, samim, pascal foes, mikael weil, justin maxwell, claude von stroke, subjekt, tom ellis, leif and more

minimono comes back on bosconi with a pure chicago monster house record! an eclectic three tracker ep melting all influences from filter house to techno and disco..something in between sneak and derrick carter sound with more of an electronic funky appeal as minimono has always used to.. summertime vibes just to let you wonder!

finally its ready. a brilliant 12inch from one of detroits most respected producers, anthony shake shakir. this is the full release of a super limited white label that dropped earlier this year. a tough and ballsy 12inch - going everywhere from off key house and electro bullets to steppers/near photekish-dubstep. ridiculous. this will appeal to fans of his output on his own frictional label and open eared people with a love for solid electronic music! morphine continue to kill it.

orlando needs no introduction when it comes to his past and recent work in the world of electronic dance music. with over 100 releases on his belt and including classic recordings still played today.

cmyk musik keeps the energy level high with three hot techno dancefloor killers by alessio mereu, one of the best italian producers. rojo profundo is a powerful and driving techno ep made to burn dancefloors, a beautiful collection of technoid melodies over unstoppable rhythms... the passion for music of alessio mereu, a classical piano player since he was just an eight years old kid, has been strong influenced by his close friendship with other producers from sardinia such as renato figoli, matteo spedicati and andrea ferlin. moved to electronic music, he manages to elaborate his first influences developing a personal imprint to his sound with an >hypnotic and full of groove< defined style

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

s up friends n freaks !! the international freakshow theatre is rising its stage curtain for opening a hopefully hot summer season 2009. with our 13th release we bring you two young guns who - so far - are new to the international freakshows roster. nevertheless basti grub from frankfurt / germany and dj w!ld from paris / france will definitely show their skills with 2 massive tracks on if-13! both tunes are properly carrying the spirit of an hedonistic summer party! the a-side comes along with mr.basti grubs marchgang. his trip into the depths of electronic music lead him through all the wellknown clubs in and around frankfurt city in the first place. nowadays he runs his own little label called hoehenregler, releasing quality house & techno music. his track on if-13 feels like a journey into the wonderland of minimal fusiontechno. bastis tune is one of those that are making you smile while you are rocking our socks off hard on the dancefloor! his tune marchgang sounds a bit like being the clash of 1920s music with the 21st centuries minimal house sound! and do you know what?! à the crazy combination fully works - give it a try folks! the flip side delivers dj w!lds balkan2?. dj w!lds musical career started 13 years ago in france with his first dj-attempts behind the decks. today the french mastermind is presenting his sound from one continent to another, as a tireless traveller he is spreading hot underground music to the people with his technical mixes. after having started his own label catwash together with chris carrier a couple of years ago, his reputation as a producer is constantly growing all around the planet! for if-13, dj w!ld brings us balkan2? - an epic and massive rollin sambaesque techhouse bomb, that has the dynamic and power to make you o nuts! this track is pure latin groove in a postmodern shape that will deeply satisfy all of you who are into the style of artists like ricardo villalobos or luciano, to name a few!

altair nouveau consists of one brandon mitchell, a young producer from the west coast currently residing in san francisco. altair nouveaus music, though designed with the dance floor in mind, still evokes a personal element. it is the combination of these elements that give altair nouveau his indistinguishable larger than life, spaced-out future disco sound sure to cause a dance floor frenzy. raised in the sprawling city of san jose, california to musical parents. mitchell grew up with the encouragement of his father, an electronic music teacher at the local community college. brandon began educating himself by collecting albums from the likes of giorgio moroder, vangelis, ennio morricone and john carpenter. this gave way to newer acts such as in flagranti, prins thomas, lindstrom and several artists on dfa. the title track æspace fortress marks a bold and exciting introduction into the sonic landscape of mr. nouveau, combining g funk, p funk and a 4/4 disco foundation that adds up to something otherworldly altogether. released as a joint effort with the uber-hip dfa records this 12 features mixes exclusive to this release from ultra-talented irishman john daly who turns out a deeper take while michel morins criminally underrated nom-de-plume sneak-thief takes it deeper into spacey disco-funk territory.

the second single taken from the remute-album grand glam is the ultimate summer-house-bomb! sling it! will make you swing, sing and of course sling. the remix by icelandinc electronic music legends gusgus is for sure a huge anthem for this years ibiza-season and delivers the fattest bassdrum of 2009. nuff said. as a bonus we have the extended mix of the grand glam -album-tune slime fast , which transforms slowly, but surely, to a horny disco-orgy. sling it!

at warp we believe clark is a primary torch bearer amongst a new generation of artists who continue the vision that warp was built on, making innovative and boundary pushing electronic music that is difficult to replicate. with every release this belief strengthens.

argentinean producer rudolf returns on mean records under his perro magnetico guise to deliver yet another beautifully crafted release of sophisticated electronic dance music that lies somewhere between house and techno.

basti grub is a specialist for xtraordinary and outstanding productions.. loving music from his early childhood on and he seems to have a different approach to electronic dance music. these 2 tunes here are wonderful rhythm driven latino techno tracks with spanish guitars and wonderful auto tune vocals,... sommertag is the perfect open air tech house tune and hihihihahaaa could be the next number one in the brazilian baile pop charts even though it perfectely works on any european dancefloor too.... additionally we have a tech housey dancefloor tool rework by dj emerson

mobach makes a deep, soulful, warm and groovy hybrid between house, electro, dub and jazzy electronics. one of the deepest pieces of vinyl you ll hear this year. mobach already featured on the electronic generation album on sd and with this debut 12 he drops a future classic. title-track metrobots is as funky as it is soulful and warm. the beautiful sounds and voices keep building to an emotional climax on top of a deephouse groove with a slight jackin twist to it, which simply keeps you going. submersion dub is a funky combination of house, electro and breaks: deep and dubby. alternate moods is the most jazzy track that featured until now on the ever forward thriving sd records. it s loose and lovely. excellent!

moony (real name monica bragato) is a musician from venice italy moony was first noticed singing in the venetian club scene and was asked to provide vocals for a number of songs by dj and producer cristiano spiller. the first single was positive, in 1998, sampled from the physical, song of olivia newton-john, and the second single with spiller was batucada (1999). her first collaboration was point of view as part of the group db boulevard. that song became popular across the european dance music scene and earned db boulevard the distinction of being the first italian music group to be nominated in the mtv europe music awards. remixes come from germanys uber producer / remixer jerome disma ae who takes it deep & electronic àalready stirring a storm in ibiza and all over the rest of europe, i dont know why is surely hks clubbiest monster so far in 2009! huge!

the journey of a chillian sound influenced by a particular romanian flavor. this sounds wild! therefore, the material to follow will be focused on interesting work. pier bucci together with monochrome including the romanian artists livio & roby allying this time their third beloved partner george g, together they come out in a beautiful ep called, santiago de bucharest. what kind of connections can be found in these two culture background in the context of their own music expression? since last years south america represented a big influence in electronic music, with the latin vibes and soul! extremely obvious is that rumanian artists identify naturaly with latin influences as their common origins helped them easily to experience this into one and solid sound. despite of the latin common element which connect the artists, their soul and spirit it is expressed unique but different in their own particular way.

disco fizz is the second album by italian disco group azoto. many say that azoto pioneered the whole italo sound, with incredibly ahead of their time productions going right back too 1977. disco fizz may contain one of the most covered disco tracks of all time san salvador, which has reared its head under countless of remixes and pop cover versions, however if you dig a little deeper this album is packed full of incredible and timeless italo disco. anytime or place literally jumps out the speakers to get you moving, while >exalt exalt< showcases their take on the darker side of electronic disco.

after seeing the banging >red hot< - her first released production - become the all-favorite track on airdrops extraction us compilation, it is a natural step for connie to slip once again into her constar outfit, and release this time her first record, the sunset tribe ep. here, constar does what she does best, take her clan on a ride through different skylines, from the shores of bali in indonesia to the chinese inland mountains. indeed, in sunset tribe the careful listener will hear parts of a kecak ceremony - pronounced keh-chahk , also known as the ramayana monkey chant - a form of balinese musical drama, that roots in a traditional trance-inducing exorcism dance. a piece usually performed by a circle of hundreds of men percussively chanting cak while throwing up their arms, depicting a battle between the monkey vanara and the evil king ravana...
phoenixxx strikes the cord! using elements and melodies of traditional chinese instruments, the pipa, guzheng and erhu, constar takes our journey even further east. allying a bumpy and light-hearted groove to the depth and gravity of the instruments used, constar also offers an exploration into her balanced mind and soul. bringing the witchcraft even further, who better than the craziest wizard-duo electronic music has ever come across, voodeux! celebrating the release of their debut album on mothership, voodeux - aka tanner ross and james watts - create their very own blend of magic potion that no spirit - good or bad - could resist. simply spellbinding and savage, voodeux know the cerebrums fluids inside out, and will work them through their supernatural enchantments!

an electronic evergreen, first released in 1993 on bonzai records, put into an up-to-date shape by denice the menace & big world and remixed by no one else than dabruck & klein!

repressing/ last copies! renowned electronic music producer / dj dani koenig is from zurich, switzerland. his influences range from jazz, blues, disco and all sorts of electronic music. the first big track >disco 3000< was released on zurich based label bacteria records, 1997. since then he has gone on to release many records including the stand out >break 4 love<, >whats my name< and >stairs<. now, you ve got the chance to buy his great release again! only a few pieces we have. it was a small lost backstock we found. a catchy house tune - the track was released on kosmo records too. dont wait!

plastik is a new label for electronic experimental music / minimal music. the records are shrinked very noticeably in plastik and limited to vinyl and only 300 copies! early support comes from the likes of cess (cocoon/rocketsauce), dj koze, jens zimmermann (snork), j³rgen von krebs (monkeys club), daze maxim (hello?repeat), lars sommerfeld (fumakilla/ two faces) and bengreen (mikatronic).

per martinsen aka mental overdrive shouldnt need any introduction being the granddad of the norwegian electronic music scene and all... hidden away in a little snowcave near the polar circle hes currently preparing the bits that eventually will become his debut album for full pupp.weve heard some bits and though wed like to keep them all under the lid for a little while longer, heres a little sneak peek of what hes done and hopefully preparing you off his unique take on modern dance music taking in elements of new wave, new beat, detroit and dubstep on the way. per unleashed this on us at one of the full pupp nights in oslo and recently we saw how it took the roof off at fabric... for the b-side we paired per up with the equally detroit-loving blackbelt andersen which gives us a hi-speed samba techno work out with a unhealthy deep bass.